于6月19日上映的《玩具总动员5》讲述了邦妮的玩具们在翠丝的带领下，发现邻居家的孩子们已经抛弃了实体玩具而转向数字屏幕。皮克斯该系列的前四部电影在票房上获得了超过45亿美元的收入，而第五部续集在延续这一商业成功的同时，充满深情地探讨了科技是如何绑架童年的。这部电影突出了想象力游戏的衰落以及社交孤立感的上升。

与前作一样，《玩具总动员5》反映了当代社会的担忧，镜像了第一部电影中关于被新科技取代的主题，就像第二部电影反映了互联网泡沫时期一样。在这一部中，邦妮的父母购买了一台名为Lilypad的平板电脑来帮助她结交朋友，结果却导致她的情绪恶化并使她更加孤立。玩具们成为了这场现代数字化转型中最直接的发声受害者。

令人惊讶的是，这部电影的主要反派并不是屏幕，而是邦妮自己沉迷于科技且分心散漫的父母，他们未能执行自己制定的屏幕时间规则，也没有注意到女儿日益加深的忧郁。影片促使年轻观众重新思考他们与屏幕及玩具的关系，同时也促使父母们反思自身的数字化分心与育儿习惯。

"Toy Story 5," released on June 19th, follows Bonnie's toys, led by Jessie, as they discover that neighbor children have abandoned physical toys for digital screens. Pixar's first four films in this franchise generated over $4.5 billion at the box office, and the fifth installment continues this success while soulfuly exploring how technology hijacks childhood. The film highlights the decline of imaginative play and the rise of social alienation.

Like its predecessors, "Toy Story 5" reflects contemporary societal concerns, mirroring the first film's theme of displacement by new technology, much like the second film reflected the dotcom boom. In this installment, Bonnie's parents purchase a tablet named Lilypad to help her make friends, only for it to worsen her mood and isolate her. The toys become vocal victims of this modern digital transition.

Surprisingly, the film's primary villains are not the screens, but Bonnie's own tech-addicted, distracted parents who fail to enforce rules or notice their daughter's growing gloom. The movie challenges young viewers to reconsider their relationship with screens and toys, while prompting parents to reflect on their own digital distraction and parenting habits.

Source: The real villain in “Toy Story 5” is not whom you would expect

Subtitle: Why Pixar’s latest romp is one of the best animated films ever

Dateline: 6月 25, 2026 03:29 上午